In the early fifties Ingmar Bergman got himself a cine-camera, a 9.5 mm Bell & Howell, which he often used both privately and in his work. "Bilder från lekstugan" ("Images from the Playground") embark on these films, giving a diverse representation of one of the greatest artists in cinema.虽然渺小到几乎没人在乎,最常出现的地方是在饭锅和餐桌里,可这一份顽强的生命力依旧在延续着,哪怕是地狱也无法磨灭。
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