Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned o...这一刻,大飞终于意识到高阶恶魔的可怕之处了。所以对于这只外形滑稽的蛤蟆也完全不敢轻视。
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